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William Gawin Herdman
William Gawin Herdman (also known as W. G. Herdman; 1805–1882) was an English author and painter, known for his scenes in the Liverpool area of England.
==Art==
Herdman was a self-taught painter who started sketching in his early teens, documenting the city of Liverpool, making notes about how the city and its buildings were changing as the city grew.〔(【引用サイトリンク】url=http://writeantiques.com/merseyside%E2%80%99s-forgotten-artists )〕 Herdman painted around 2,000 watercolours of Liverpool scenes which were included in the book, ''Herdman’s Liverpool''〔Herdman, William Gavin. Herdman’s Liverpool. Jaggard & Company: Liverpool. 1874〕 which appeared in several editions after his death in 1882.
Herdman is best known as a landscape painter, typically of scenes around Liverpool. Herdman exhibited landscapes at the Royal Academy from 1834 to 1861. He joined the Liverpool Academy of Arts in 1836. In 1857 he left the Liverpool Academy over their annual award to Sir John Everett Millais for his ''The Blind Girl''. Herdman then established the rival Institution of Fine Arts. The local academies were run along similar lines to the Royal Academy, holding exhibitions of the work of local artists alongside that of leading artists of the day including John Landseer and his son Sir Edwin Henry Landseer, as well as Ford Madox Brown, William Holman Hunt and Millais. Because of conflicts within the Artist Community, both Academies closed by 1870.〔Wood, Christopher (Editor) The Dictionary of Victorian Painters, 2nd Edition. Baron Publishing, Church Street, Woodbridge, Suffolk, England. 1978. p 219.〕
Herdman was a teacher and a successful commercial artist. He took commissions and after completing a series of paintings of scenes around Liverpool, which were also used to illustrate Herdman's books. The ''Pictorial Relics of Ancient Liverpool'' contained 62 drawings on 49 plates, which he published in 1843 and 1856. Other publications include ''A Treatise of Curvilinear Perspectives and its applications to Art'' published in 1854 and ''Thoughts on Speculative cosmology and the principles of Art'' published in 1870.
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